A serif family in PARC’s font library, used here for the prose. The widths of its letters, figures and punctuation all fall on a grid of eighteenths of the em.
PARC kept its typefaces as spline outlines: master drawings that its software turned into bitmaps for each screen and printer. It built an interactive font editor, FRED, and a rasterizer, PREPRESS (Shirriff, 2017).
Masters
CLASSIC-MRR.sd (regular), CLASSIC-MIR.sd (italic). A bold master, CLASSIC-BRR.sd, is not used here.
Archive
[Indigo]<PressFonts>, Xerox PARC files at the Computer History Museum
File date
21 Jan 1982
Saved by
Wyatt.PA, the account that last saved the files. The designer is not recorded.
Characters
213 in the regular, 187 in the italic
This version
OpenType, 2026. Outlines converted exactly from the spline master; not hinted.
A monospaced face from the same library, used here for the title, years and labels. Every character is the same width, 0.602 of the em, as on a typewriter.
PARC kept its typefaces as spline outlines: master drawings that its software turned into bitmaps for each screen and printer. It built an interactive font editor, FRED, and a rasterizer, PREPRESS (Shirriff, 2017).
Master
XEROXBOOK-MRR.sd, one weight
Archive
[Indigo]<PressFonts>, Xerox PARC files at the Computer History Museum
File date
21 Jan 1982
Saved by
Wyatt.PA, the account that last saved the file. The designer is not recorded.
Characters
101
This version
OpenType, 2026. Outlines converted exactly from the spline master; not hinted.